![]() Now listen to the traditional Irish reel “The Wind That Shakes the Barley,” recorded by the Chieftains in 1978 (beginning at 0:50), and notice the slight variation between the melodic lines of the fiddle (violin) and the flute. While the instruments play different embellishments, they present essentially the same melodic material.Įxample 3. Notice how the winds embellish the melody presented by the plucked strings. ![]() Listen to “Ana Hasreti” (2001) by Göskel Baktagir, an example of Turkish classical music. These variations can range from small embellishing tones to longer runs in a single voice, as long as the melodic material stays relatively constant. HeterophonyĪ heterophonic texture is characterized by multiple variations of the same melodic line that are heard simultaneously across different voices. “Where Have All the Flowers Gone?” by Pete Seeger. Note that Seeger’s voice is the only musical line therefore, this work is a second example of monophony.Įxample 2. Now let’s listen to “Where Have All the Flowers Gone?” (1955) by Pete Seeger. Prelude, (BWV 1007) by Johann Sebastian Bach, performed by Yo-Yo Ma. Notice how the solo cello line is the only voice in this work.Įxample 1. 1 in G Major (1717) by Johann Sebastian Bach is an example of a monophonic texture. Monophony involves all instruments playing or singing in unison, making it the simplest and most exposed of all musical textures. MonophonyĪ monophonic texture is characterized by a single unaccompanied melodic line of music. There are many types of musical texture, but the four main categories used by music scholars are monophony, heterophony, homophony, and polyphony. Texture is an important (and sometimes overlooked) aspect of music.
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